A Short Overview of Crystal Glazes
The History
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Crystalline glazes appeared already during the Chinese Sung period of the 12th century (Japanese and Korean oilspot and kaki glazes). In Europe, the history of the crystal glazes begins at the 19th century in Sèvres France, followed by the Royal Porcelain Manufacture of Copenhagen and the famous Meissen Manufacture in Germany. In the 20th century the german potters Richard Bampi and Hubert Griemert and in Switzerland Arnold Zahner experimented with crystal glazes. In all generations this type of glazes all have two things in common: The hazard and a high estethic attraction. |
The Chemistry
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Detail of a laboratory sample (System Me2O-SrO-TiO2-SiO2 + Co) |
The Production Process
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The most critical part of producing crystalline glazes is in the firing cycle. The heating phase is carried out in the normal fashion, but the cooling must be slowed to about 100°F./38°C. above the maturing point, then held there several hours before slowly cooling in the last stages of firing. A pyrometer is indispensible for the proper firing and cooling of the crystalline glaze, for without an instrument to indicate the rise and fall of the temperature inside the kiln the process cannot be properly controlled. Due to the fluidity of this glaze type, the pottery is usually fired sitting on a pedestal of insulating brick or an a high stilt within a shallow dish. After firing, the brick or stilt can be easily ground from the base of the pot. |
Some more Close-Ups from the galleries
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The Iron Cross |
The Leaf |
My glazes are all fired in a neutral atmosphere to 1280C. All glazes are applied on a porcelain body produced in Sevres. As colouring agents I use standard oxides usually used for ceramic glazes but also very uncommon rare oxides - some costing a small fortune - and rare oxyde compounds obtained from ground minerals. Please understand that I cannot and do not want to tell what exactly these materials are.